Today the Nowrouz celebrations start. Nowrouz is the Persian new year and it starts on the first day of spring. I made this card for the occasion.
This is a short film that demonstrates the power of good screen writing.
ANONYMOUS (8TH CENTURY MODERN VERSION BY EZRA POUND)
May I for my own self song's truth reckon, Journey's jargon, how I in harsh days Hardship endured oft. Bitter breast-cares have I abided, Known on my keel many a care's hold, And dire sea-surge, and there I oft spent Narrow nightwatch nigh the ship's head While she tossed close to cliffs. Coldly afflicted, My feet were by frost benumbed. Chill its chains are; chafing sighs Hew my heart round and hunger begot Mere-weary mood. Lest man know not That he on dry land loveliest liveth, List how I, care-wretched, on ice-cold sea, Weathered the winter, wretched outcast Deprived of my kinsmen; Hung with hard ice-flakes, where hail-scur flew, There I heard naught save the harsh sea And ice-cold wave, at whiles the swan cries, Did for my games the gannet's clamour, Sea-fowls, loudness was for me laughter, The mews' singing all my mead-drink. Storms, on the stone-cliffs beaten, fell on the stern In icy feathers; full oft the eagle screamed With spray on his pinion. Not any protector May make merry man faring needy. This he little believes, who aye in winsome life Abides 'mid burghers some heavy business, Wealthy and wine-flushed, how I weary oft Must bide above brine. Neareth nightshade, snoweth from north, Frost froze the land, hail fell on earth then Corn of the coldest. Nathless there knocketh now The heart's thought that I on high streams The salt-wavy tumult traverse alone. Moaneth alway my mind's lust That I fare forth, that I afar hence Seek out a foreign fastness. For this there's no mood-lofty man over earth's midst, Not though he be given his good, but will have in his youth greed; Nor his deed to the daring, nor his king to the faithful But shall have his sorrow for sea-fare Whatever his lord will. He hath not heart for harping, nor in ring-having Nor winsomeness to wife, nor world's delight Nor any whit else save the wave's slash, Yet longing comes upon him to fare forth on the water. Bosque taketh blossom, cometh beauty of berries, Fields to fairness, land fares brisker, All this admonisheth man eager of mood, The heart turns to travel so that he then thinks On flood-ways to be far departing. Cuckoo calleth with gloomy crying, He singeth summerward, bodeth sorrow, The bitter heart's blood. Burgher knows not — He the prosperous man — what some perform Where wandering them widest draweth. So that but now my heart burst from my breast-lock, My mood 'mid the mere-flood, Over the whale's acre, would wander wide. On earth's shelter cometh oft to me, Eager and ready, the crying lone-flyer, Whets for the whale-path the heart irresistibly, O'er tracks of ocean; seeing that anyhow My lord deems to me this dead life On loan and on land, I believe not That any earth-weal eternal standeth Save there be somewhat calamitous That, ere a man's tide go, turn it to twain. Disease or oldness or sword-hate Beats out the breath from doom-gripped body. And for this, every earl whatever, for those speaking after — Laud of the living, boasteth some last word, That he will work ere he pass onward, Frame on the fair earth 'gainst foes his malice, Daring ado, ... So that all men shall honour him after And his laud beyond them remain 'mid the English, Aye, for ever, a lasting life's-blast, Delight mid the doughty. Days little durable, And all arrogance of earthen riches, There come now no kings nor Cæsars Nor gold-giving lords like those gone. Howe'er in mirth most magnified, Whoe'er lived in life most lordliest, Drear all this excellence, delights undurable! Waneth the watch, but the world holdeth. Tomb hideth trouble. The blade is layed low. Earthly glory ageth and seareth. No man at all going the earth's gait, But age fares against him, his face paleth, Grey-haired he groaneth, knows gone companions, Lordly men are to earth o'ergiven, Nor may he then the flesh-cover, whose life ceaseth, Nor eat the sweet nor feel the sorry, Nor stir hand nor think in mid heart, And though he strew the grave with gold, His born brothers, their buried bodies Be an unlikely treasure hoard.
Ramin was born in Shiraz and moved to the UK at 13. Through painting he came to realize that no matter what medium his work is focused on protest based Art “where I continue to tell the story of those often forgotten. A kind of Art that sometimes mixes serious issues with some humour but often with tragedy”. See www.dagod.org/about
A day earlier in Abadan our passports and tickets were ready for collection. Dad spoke to this guy in the ticket office who dropped the word OK in every one of his Persian sentences. He had a poster of palm trees on the wall. Who puts posters of palm trees of some other city in a city full of palm trees? He was what we called Gharb-Zadeh which meant western wannabe. On that last day I was keen to keep my daily ritual and cycled under the heat of the Sun, in our city of Mahshahr. Mahshar meant moon city. I passed Mahnaz’s house and peeked through the mesh wire window. She wasn’t there, shame. Why was it that when things were getting better something always changed? Only a fortnight earlier I wrote her a note, sat next to her in the cinema and dropped it in her lap. When she saw me next she blushed. Her cheeks turned red like inside a cherry pie and I’m guessing they probably tasted the same. I knew then that if I persisted I could get a taste of her. I put my best shirt on. It was a lost cause but it wasn’t just for her I was saying goodbye to the neighbourhood. The heat melted the road and left my tyre track behind. At least the road kept a trace of me. You could fry an omelet on that asphalt but I was used to that heat even though my skin had turned deep brown and peeled like a potato. The swimming pool chlorine had lightened my hair and I thought I looked cool! I passed the market. The vegetable market had fresh coriander and the mechanic’s shop smelled of diesel and grease. My friend Ali was home. Unlike me he was a town boy. At school I hanged out with the town kids just as much as I knew the kids from our part of town. Town kids called us the refinery kids. I didn’t care much for such differences. Ali went puppy faced but kept quiet and just wished me luck. Ali’s Mum offered me lunch, smiled and wished me luck, but I didn’t stay. I passed the fishmongers and the smell of freshly backed bread further up market made me hungry so I headed home. I reached the rose gardens of the English houses of our road and circled the Helipad where the king had once landed for his visit. On his visit I’d peeked inside the Helicopter now I was going round the H three times for good luck. I had my lunch and had a short nap. The summer days were long but that day was going too quickly and I was slightly disappointed. My life was about to change and I expected a bit more fuss from friends and family. Surely someone cared that I wouldn’t be there the next day? Then it happened. Ali hadn’t gone puppy face because he was keeping a secret. He wasn’t good at keeping secrets but that day he did a good job. The kids had organised a surprise visit. They all turned up at once, or at least the best of my friends the seven of them came to say goodbye. Mohsen the eldest of all of us was a poor kid who along his education had started to be a coach driver’s assistant. This had caused a bit of interruption so he’d repeated the year but otherwise that kid was a really bright. His favourite occupation was to make bamboo shoots burn a few holes and turn it to a flute for his buddies. He was a great musician but that day he was a coach driver. He’d borrowed his uncle’s coach, picked each one of them at their homes and beautifully parked the coach in the col-de-sac where we lived. It wasn’t just for me, it was for them too. They wanted to look me in the eyes and see how it felt to be going somewhere and living a dream. I should had kept in touch but didn’t. A lot happened after that point. A war swallowed up a million kids. Rich or poor many people left the country but I hope my magnificent seven, the seven friends, the town boys that I once had as genuine friends had grown to be happy men and I hope wherever they are that they had a good life. Life did turn out to be like a dream. The thirty-six years have gone fast and nothing like what I expected.
This is a triptych telling the story of a political prisoner who is incarcerated inside a small space. Constraint movement in a small space causes madness in some prisoners. He is interrogated and tortured. The white light torture or sensory deprivation torture creates disorientation hence the blurriness in the second panel in contrast to sharpness of the first panel. In the first panel the presence of bats symbolises madness and also the existence of a fundamentalist element that went unnoticed until the revolution. The third panel shows decomposing of blood into soil and a disintegration which bring more blood and taints a nation. Many are killed and buried in unmarked graves in this way.
The phrase “I have no feelings” was a quote from Ayatollah Khomeini. He was asked how he felt about going home after years of exile and he provided a response that became symbolic of his psychopathic cruelty towards his fellow Iranians. The phrase “I have no feelings” has been turned into semi-abstract Persian calligraphy, disguised, spread or sometimes visible in all three panels.
This is a work in a new school of work called DaGod. DaGod is derived from Dada but unlike Dada it is movement against the crimes of religious fundamentalism.
DaGod is my own invented Art school and there are only a few works in this style. The controversial nature of the work has resulted in one of my works from this school to be shown on CNN and VOA. The first panel has also become an Album cover of a South African band called Bipolar Rats. DaGod often carries dark artistic humour and elements of it are similar to religious iconography (in this case the golden sculpted frames which are part of the work).
Please note price is per painting rather than the 3 panels. Print of individual items is also available.