This is a short film that demonstrates the power of good screen writing.
ANONYMOUS (8TH CENTURY MODERN VERSION BY EZRA POUND)
May I for my own self song's truth reckon, Journey's jargon, how I in harsh days Hardship endured oft. Bitter breast-cares have I abided, Known on my keel many a care's hold, And dire sea-surge, and there I oft spent Narrow nightwatch nigh the ship's head While she tossed close to cliffs. Coldly afflicted, My feet were by frost benumbed. Chill its chains are; chafing sighs Hew my heart round and hunger begot Mere-weary mood. Lest man know not That he on dry land loveliest liveth, List how I, care-wretched, on ice-cold sea, Weathered the winter, wretched outcast Deprived of my kinsmen; Hung with hard ice-flakes, where hail-scur flew, There I heard naught save the harsh sea And ice-cold wave, at whiles the swan cries, Did for my games the gannet's clamour, Sea-fowls, loudness was for me laughter, The mews' singing all my mead-drink. Storms, on the stone-cliffs beaten, fell on the stern In icy feathers; full oft the eagle screamed With spray on his pinion. Not any protector May make merry man faring needy. This he little believes, who aye in winsome life Abides 'mid burghers some heavy business, Wealthy and wine-flushed, how I weary oft Must bide above brine. Neareth nightshade, snoweth from north, Frost froze the land, hail fell on earth then Corn of the coldest. Nathless there knocketh now The heart's thought that I on high streams The salt-wavy tumult traverse alone. Moaneth alway my mind's lust That I fare forth, that I afar hence Seek out a foreign fastness. For this there's no mood-lofty man over earth's midst, Not though he be given his good, but will have in his youth greed; Nor his deed to the daring, nor his king to the faithful But shall have his sorrow for sea-fare Whatever his lord will. He hath not heart for harping, nor in ring-having Nor winsomeness to wife, nor world's delight Nor any whit else save the wave's slash, Yet longing comes upon him to fare forth on the water. Bosque taketh blossom, cometh beauty of berries, Fields to fairness, land fares brisker, All this admonisheth man eager of mood, The heart turns to travel so that he then thinks On flood-ways to be far departing. Cuckoo calleth with gloomy crying, He singeth summerward, bodeth sorrow, The bitter heart's blood. Burgher knows not — He the prosperous man — what some perform Where wandering them widest draweth. So that but now my heart burst from my breast-lock, My mood 'mid the mere-flood, Over the whale's acre, would wander wide. On earth's shelter cometh oft to me, Eager and ready, the crying lone-flyer, Whets for the whale-path the heart irresistibly, O'er tracks of ocean; seeing that anyhow My lord deems to me this dead life On loan and on land, I believe not That any earth-weal eternal standeth Save there be somewhat calamitous That, ere a man's tide go, turn it to twain. Disease or oldness or sword-hate Beats out the breath from doom-gripped body. And for this, every earl whatever, for those speaking after — Laud of the living, boasteth some last word, That he will work ere he pass onward, Frame on the fair earth 'gainst foes his malice, Daring ado, ... So that all men shall honour him after And his laud beyond them remain 'mid the English, Aye, for ever, a lasting life's-blast, Delight mid the doughty. Days little durable, And all arrogance of earthen riches, There come now no kings nor Cæsars Nor gold-giving lords like those gone. Howe'er in mirth most magnified, Whoe'er lived in life most lordliest, Drear all this excellence, delights undurable! Waneth the watch, but the world holdeth. Tomb hideth trouble. The blade is layed low. Earthly glory ageth and seareth. No man at all going the earth's gait, But age fares against him, his face paleth, Grey-haired he groaneth, knows gone companions, Lordly men are to earth o'ergiven, Nor may he then the flesh-cover, whose life ceaseth, Nor eat the sweet nor feel the sorry, Nor stir hand nor think in mid heart, And though he strew the grave with gold, His born brothers, their buried bodies Be an unlikely treasure hoard.
Ode to a Nightingale
MY heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
‘Tis not through envy of thy happy lot, 5
But being too happy in thine happiness,
That thou, light-wingèd Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease. 10
O for a draught of vintage! that hath been
Cool’d a long age in the deep-delvèd earth,
Tasting of Flora and the country-green,
Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South! 15
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stainèd mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim: 20
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last grey hairs, 25
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow. 30
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night, 35
And haply the Queen-Moon is on her throne,
Cluster’d around by all her starry Fays
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways. 40
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmèd darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild; 45
White hawthorn, and the pastoral eglantine;
Fast-fading violets cover’d up in leaves;
And mid-May’s eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves. 50
Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call’d him soft names in many a musèd rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die, 55
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain—
To thy high requiem become a sod. 60
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path 65
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that ofttimes hath
Charm’d magic casements, opening on the foam
Of perilous seas, in faery lands forlorn. 70
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades 75
Past the near meadows, over the still stream,
Up the hill-side; and now ’tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—do I wake or sleep? 80
You left with tears staring through the window
came back and stole a glance through the bars and smiled
You watched me as I played,
the four-year old boy that I was but no longer yours.
Troubled and wary, you came for a visit
You dared yourself, stole a touch that softly brushed my chin,
the ten-year old boy that I was but no longer yours.
You stayed with us for a week, familiar yet with a distant look
we said very little and moved as strangers through the corridors
but before you left you sang with a broken heart and I listened,
The twelve-year old boy that I was but no longer yours.
Discretely and away from the crowd, I saw you in a Margate restaurant
with a sigh you watched me before you left for London
as the eternal gypsy you’d left Toronto, you left for Tehran.
The fourteen-year old boy that I was but no longer yours.
They said you were lost for days in Hyde park
lost your handbag, lost your mind, lost your taste for this life.
They said you received my letter, the first and last before you died.
They sent me a picture of a stone, some carnations for good cheers but lost amongst other stones.
Now here I am, with half of my life gone,
and I see your lost look in my daughter’s eyes.
Strangely I still feel that brush against my chin.
Still you steal a glance through the lost forest of my thoughts.
Strangely I’m still truly yours.
If you were a little kid in middle east you would remember when your Mum and Dad would say if you were naughty Lulu would take you away? Well here is her story. Our Lulu is known as Lilith. There are so many versions to her story. She is a female demon, deity, and Adam’s first wife. In some stories she is born before or at the same time as Adam. She is not a spare rib and was made from clay. According to Kabbalah writing she was created before Adam on the fifth day of creation as a water creature. But other writings mention that she was created from the same substance as Adam.
In Folk tradition because Lilith came out of clay just like Adam she demanded to be treated as an equal to him. Adam and Lilith quarrel so much and she runs away. Adam prays for help and God sends three angels to bring her back. ‘Leave me!’ she said. ‘I was created only to cause sickness to infants. If the infant is male, I have dominion over him for eight days after his birth, and if female, for twenty days. ’
When the angels heard Lilith’s words, they insisted she comes back instead she swore to them by the name of the living and eternal God: ‘Whenever I see you or your names or your forms in an amulet, I will have no power over that infant. ‘ She also agreed to have one hundred of her children die every day. Accordingly, every day one hundred demons perish, and for the same reason, some still write the angels’ names on the amulets of young children. When Lilith sees their names, she remembers her oath, and the child recovers.
Another widely taught version of this is that the Hebrew cosmogony originally told a story of Yahweh creating Adam to marry a local Goddess-associated figure named Lilith. Lilith was a follower of the Great Mother Goddess, Inanna — later known as both Ishtar and Asherah.
In The Epic of Gilgamesh, Gilgamesh was said to have destroyed a tree that was in a sacred grove dedicated to the Goddess Ishtar/Inanna/Asherah. Lilith ran into the wilderness in despair. She then is depicted in the Talmud and Kabbalah as first wife to Yahweh’s first creation of man, Adam. In time, as stated in the Old testament, the Hebrew followers continued to worship “false idols”, like Asherah, as being as powerful as Yahweh.
Jeremiah speaks of his (and Yahweh’s) displeasure at this behavior to the Hebrew people about the worship of the Goddess in the Old Testament. Lilith is banished from Adam and Yahweh’s presence when she is discovered to be a “demon” and Eve becomes Adam’s wife. Lilith then took the form of the serpent in her jealous rage at being displaced as Adam’s wife. Lilith as serpent then proceeds to trick Eve into eating the fruit from the tree of knowledge and in this way is responsible for the downfall of all of humankind. It is worthwhile to note here that in religions pre-dating Judaism, the serpent was known to be associated with wisdom and re-birth (with the shedding of its skin). In Arabic mythology she is refered to as Karina.
Karina of Arabic lore is considered Lilith’s equivalent.
She is mentioned as a child-stealing and child-killing witch. In this context, Karina plays the role of a “shadow” of a woman and a corresponding male demon, Karin, is the “shadow” of a man. Should a woman marry, her Karina marries the man’s Karin. When the woman becomes pregnant is when Karina will cause her chaos.
She will try to drive the woman out and take her place, cause a miscarriage by striking the woman and if the woman succeeds in having children then her Karina will have the same number of children she does. The Karina will continuously try to create discord between the woman and her husband. Here, Karina plays the role of disruptor of marital relations, akin to one of Lilith’s roles in Jewish tradition. I think this is how in Iranian myth the story of “ Ham Zaad” or our shadow doubles must have come about. If you like this mythology then read the full story in the Wiki. http://en.wikipedia. org/wiki/Lilith
With one foot in imagination and the big toe of the other reluctantly dipping the surface of reality, by narcissistic friends who are lost in pomposity or float endlessly in the walls of an abyss of self-delusion, with siblings who sometimes show fascist tendencies and a philosophy of life that is no good as philosophy but rhythmic and colourful as poetry and poetry that can be discarded as poetry I am afraid to say that in the quiet of my bedroom I have become Friedrich Nietzsche but only without the wisdom, the charisma, with fame and the glory!
When you are faltering in a stormy sea
and the torrent of waves
thrash you under their weight
I will not leave you whitewashed
I will always be your buoy.
Anchored to the depth of the unknown
my root goes below the dark blue sea
and I stay afloat and strong
I will always be your buoy.
Blasting of wind, tears of rain can crack my paint
the sun can scorch my skin,
seals can laugh and lean their heavy weight,
I’ll take kisses from the barnacles for comfort
light my beaker, and wait for you
I am no drifter of the sea and be here
I will always be your buoy.
I will be bouncy and colourful
even dazzle you with my dried crown of salt
if you think you could drown
you can reach out, I’ll reach down
then lean and lift you up
I will always be your buoy.
For Parisa.
Shakespeare on IPAD 3
Shall I compare thee to the release of IPAD 2 last Summer’s day?
Thou art more lovely and more temperate:
And every fair from fair sometime declines,
And competitors as nature intends feature align
yet eternal Summer of this apple product shall not fade.
So long as apps can be free, or eyes can see,
So long lives this, and this IPAD in the market be.
Mary Shelley on Windows Vista
“Cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed? I know not; despair had not yet taken possession of me; my feelings were those of rage and revenge. I could with pleasure have destroyed the desktops and its users and have glutted myself with their shrieks and misery.
Charles Dickens on Winzip
Why I was trying to pack mine into my tumbler, I am wholly unable to say. I only know that I found myself, with a perseverance worthy of a much better cause, making the most strenuous exertions to compress it within those limits. Again I thanked him and apologized, and again he said in the cheerfullest manner, “Not at all, I am sure!” and resumed.
Virginia Woolf on Angry Birds
For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can’t be dealt with, she felt positive, by Acts of justice for that very reason: they love revenge from pigs.
James Joyce on Ebay
In their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop.
Salman Rushdie and IT support line training
I was born in the city of Bombay … once upon a time. No, that won’t do, there’s no getting away from the date: I was born in Doctor Narlikar’s Nursing Home on August 15th, 1947. And the time? The time matters, too. Well then: at night. No, it’s important to be more … On the stroke of midnight, as a matter of fact. Clock-hands joined palms in respectful greeting as I came.
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